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Digital Films

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Transmission

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Windlins - film still

Windlins, 2023

Landscape in Pain #646_15072023

Landscape in Pain 1646_15072023, 2023

Mirrie Lace installation at Mareel. Projection of lace hand knitted by Janette Henry

From Social Landscapes to Landscapes of Trauma

Landscape in Pain, film still, Roxane Permar

Landscape in Pain, 2021

Telephone Project, film still, Roxane Permar, Shetland

Telephone Project, 2021

Countdown, film still, Cold War Projects - Roxane Permar and Susan Timmins, Saxa Vord, Shetland
Short Sails 3, film still, Roxane Permar for project conceived by artist Pat Law

Short Sails 3, 2010

Come and Go, film still, Roxane Permar. Soundtrack by David Sjoberg. Commissioned by Shetland Museum and Archives, 2007

Come and Go, 2007

Apologies, this film isn't yet available.

Crossing Waater i

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Crossing Waater ii, Roxane Permar (2009) photo of installation in anniversary birthday exhibition, The New Art Gallery  Walsall

Crossing Waater ii, 2009

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The Wedding, 2007

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Step By Step, 2005

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Knit, 2004

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I repeatedly return to moving image, some of which I share here. In many ways I think of the films as collages or abstract pictures that evolve, and move. In the way that installation can expand the complexity of our experience of the art work, I think of film having the capacity to expand our experience of a static image.

 

In 2002, after I moved to Shetland, I started to learn how to edit video using Final Cut Pro. I got sidetracked by Flash Animation.  By the time I felt like I was finally getting to grips with Final Cut Pro, Apple changed it.  I've therefore ended up editing most of my films on iMovie until 2024, which is quite limited.  I also have used Procreate for the Landscape in Pain films. Now I'm using DaVinci Resolve, although learning slowly!

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You can see more films on my Vimeo site. I've not managed to upload all the films I've made since the early 2000s to the Internet yet, but I am working on it. 

Click on the photographs to link to the film and/or more information. I'm still working on film links for this section, so come back another time. Apologies!

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